I have been writing about themes that stood out to me when I read David Foster Wallace’s Infinite Jest. Most recently, I discussed the importance and challenge of being genuine with oneself and others. Why do the characters in the book find it so difficult to be genuine? As I read IJ, it seemed to me that one reason for this difficulty was that characters were uncomfortable with being a self, at least a reflective, internally aware self. I wrote in the last post about Hal Incandenza’s lack of genuine inner experience. What causes him to shut himself off from his inner life to such an extent? Possibly because he recoils at what he sees within:

“One of the really American things about Hal, probably, is the way he despises what it is he’s really lonely for: this hideous internal self, incontinent of sentiment and need, that pules and writhes just under the hip empty mask, anhedonia.” p. 695

It’s tempting to skate on the surface, pretending we are just the image we project, with none of the struggles or shadows of the inner self. As Kierkegaard explained in The Sickness Unto Death, we want to be a self, but don’t want to be the self we are. As with Hal, to many of us that inner self seems hideous.

What makes Hal’s reaction “really American,” though? Kierkegaard was of course talking about a universal discomfort with the self, not an American one. DFW might agree that such discomfort crosses cultural lines, but he seems to think that aspects of American society make it particularly difficult to be a genuine self. Sometimes that connection to the American context is made explicit, as in the following discussion of American involvement with “recreational substances:”

“Like who isn’t, at some life-stage, in the U.S.A. and Interdependent regions, in these troubled times, for the most part. Though a decent percentage of E.T.A. students aren’t at all. I.e. involved. Some persons can give themselves away to an ambitious pursuit and have that be all the giving-themselves-away-to-something they need to do. Though sometimes this changes as the players get older and the pursuit more stress-fraught. American experience seems to suggest that people are virtually unlimited in their need to give themselves away, on various levels.” (p. 53)

Giving oneself away is probably not quite the same thing as trying to escape oneself, but there’s certainly overlap between the two. The “virtually unlimited” need to give oneself away is apparently a particularly American experience, associated with “troubled times” as well as with “stress-fraught” endeavors.

There are two types of giving oneself away alluded to here: via the pursuit of excellence and via substance abuse. DFW seems to see both of these avenues as endemic in the U.S. Regarding the first, an entertainment cartridge by Mario Incandenza (like his father, Mario was interested in making films) about the daily routines of E.T.A. students includes the following narration:

“Here is how to avoid thinking about any of this by practicing and playing until everything runs on autopilot and talent’s unconscious exercise becomes a way to escape yourself, a long waking dream of pure play.” (p. 173)

Turning oneself into a tennis playing robot is one way to get away from oneself. Viewing films or videos, often referred to as “entertainments,” is another. This viewing is done mostly at home, in private, via “pulses, storage cartridges, digital displays, domestic decor–an entertainment market of sofas and eyes.” (p. 620)  It is “A floating no-space world of personal spectation.” Immersion in this world is a way both of avoiding others and avoiding oneself. One of the book’s plots has to do with an entertainment cartridge so enticing that those who have viewed it will do nothing (even eat) except view it again and again. It is the next-to-the most-radical way of  escaping from oneself.

The ultimate escape from the self, both extreme and permanent, is suicide, referred to paradoxically as “that most self-involved of acts, self-cancelling.” James Incandenza killed himself, as did Eric Clipperton, a junior tennis player. As mentioned in an earlier post, Joelle Van Dyne attempted suicide to escape from her addiction to cocaine. Kate Gompart, another Ennis House resident who, like James I, is clinically depressed, has had three suicide attempts and continues to have suicidal thoughts.

Unless the person actually dies, it’s impossible to completely escape the self. For example, immersing oneself in competitive tennis may be a way of giving oneself away, but, from the perspective of Schtitt, the head coach, this exit will lead right back to what the player is running from:

“The true opponent, the enfolding boundary, is the player himself. Always and only the self out there, on court, to be met, fought, brought to the table to hammer out terms. The competing boy on the net’s other side: he is not the foe; he is more the partner in the dance. He is the what is the word excuse or occasion for meeting the self.” (p. 84)

Similarly, substance abuse only allows temporary escape. Eventually the user has to quit in order to stay alive, at which point the self intrudes more intensely than ever. One thing learned in recovery is that the addict will “find yourself beginning to pray to lose your mind, to be able to wrap your mind in an old newspaper or something and leave it in an alley to shift for itself, without you.” (p. 201) I think the mind here is pretty much the same thing as the self that the user has been trying to evade all along.

To sum up, then, there is a general tendency among Americans–represented in IJ by the residents of E.T.A. and Ennet House–to try to escape the self. DFW seems to be suggesting that this desire to escape is exacerbated in American culture, and that that culture provides a variety of strategies that seem to promise relief from one’s inner self. Ultimately, though none of these strategies deliver on that promise. I think Wallace’s cultural critique is as valid now as when he penned it. Does Wallace offer any hope for accepting oneself rather than being driven to escape from it? As I’ll discuss in a later post, I think he does.

Competitive tennis, a way of escaping oneself. Image from http://www.brickjest.com.

I recently read Hillbilly Elegy: A Memoir of a Family and a Culture in Crisis by J.D. Vance. The hillbillies referenced in the title are white, working class Americans of Scots-Irish descent whose ancestors settled in Appalachia. Though raised in Appalachian culture, Vance didn’t grow up in Appalachia proper; a few decades before he was born his grandparents had migrated from Jackson, Kentucky to Middletown, Ohio, attracted by the good-paying jobs at the steel plant there.

As with many other rust belt cities, the Middletown factory has been in decline for decades. The conventional explanation for the crisis among poor working class whites is economic: there aren’t enough good-paying jobs available. Vance, however, thinks that “this story of economic insecurity is, at best, incomplete.” (p. 13; all page numbers are from the large-print edition) He draws on the example of a summer job he had at a tile distribution center in Middleville. Though the work was stable and the pay was decent, the managers couldn’t find minimally reliable workers to fill open positions. Why the lack of decent workers in an economically depressed community? Vance wrote his book in order to explore “what goes on in the lives of real people when the industrial economy goes south. It’s about reacting to bad circumstances in the worst way possible. It’s about a culture that encourages social decay instead of counteracting it.” (p. 16)

In what follows, I’m not going to summarize Vance’s memoir; for those looking for such a summary, consider reading the review in the Washington Post. I’m more interested in exploring one aspect of the crisis, namely the difficulty those from working class Appalachia seem to have in finding a suitable master narrative.

The term ‘master narrative’ comes from narrative psychology (which is described well in this article), a branch of psychology which holds that our identities consist largely of the life stories we construct. Master narratives are like blueprints or templates we follow in constructing our life stories (and thus, in constructing our lives). Cultures typically provide one or more master narratives that a young member of that culture can use to structure her self-concept and guide her choices. In my case, I followed the master narrative that I had seen demonstrated by my father and grandfather: diligent at school, then a hard worker; family oriented; my meaning and purpose found in the Christian faith. Though the broad strokes of our enacted narratives were similar, there were differences in the details: unlike them, my story didn’t include service to my country as a citizen-soldier but did include a commitment to the intellect and life of the mind that wasn’t important to them. Neither they nor I authored the template we used for thinking about ourselves or living our lives; all the elements were drawn from our cultural setting.

So how have the working class poor lost a master narrative? Vance’s story includes numerous ways in which the master narrative that once held sway lost its relevance. For example, he tells of his grandmother (“Memaw”) and her brothers reacting violently towards anyone who threatened family possessions or honor–Memaw at twelve shooting a man who stole the family’s cow, for example, or Uncle Teabury making a man who insulted his sister eat her underpants. Vance reflects, “…these were classic good and evil stories, and my people were on the right side. My people were extreme, but extreme in the service of something–defending a sister’s honor or ensuring that a criminal paid for his crimes.” (p. 30) Defending personal and family honor was a component of their master narrative.

But what happens when you work in a factory and are expected to let minor slights to your honor go by rather than disrupt the workplace? Even worse, what happens if what threatens your honor is not some jerk talking about your sister but elites who look at you with contempt or corporations that cut your pay to the point that your family needs to rely on food stamps? You lose the ability to defend your honor and that aspect of the master narrative is no longer available to you.

Here’s another example. Vance’s grandparents both believed fervently in hard work and personal responsibility. Papaw labored at the steel plant every day, proud that he earned much more than did the relatives back in Kentucky. Mamaw told J.D. “Never be like those f*cking losers who think the deck is stacked against them. You can be anything you want to.” (p. 56,7)

But what happens if you grow up and the steel mill has stopped hiring? And you’re told that you should go to college, but no one in your family ever has and you have no idea of how to get there? Then, you’re likely to lose hard work and personal responsibility as part of the master narrative; you may give lip service to them, but you no longer live according to them.

Besides losing elements of their master narrative pertaining to honor, responsibility, and the value of hard work, the working class whites described by Vance have lost their master narrative regarding who or what they adulate or worship. Vance notes that “As a culture, we had no heroes.” p. 273) This is significant, for heroes are exemplars–people whose lives are worth imitating. Those without heroes are likely to drift through life with little sense of direction.

Regarding worship, Vance makes this striking assertion:

“Mamaw always had two gods: Jesus Christ and the United States of America. I was no different, and neither was anyone else I knew.” p. 275

I suspect this is an overstatement. A good portion of Appalachia is in the Bible Belt, and even casual Bible readers learn that the God of the Bible forbids his followers from worshiping anything besides him. Thus, at least the more devout in the culture would be motivated to avoid the idolatry of in elevating the nation to the point where it is a source of ultimate meaning. Even so, Vance has identified a real problem here: the master narrative of national pride has been lost. He notes that ” much of my family’s, my neighborhood’s, and my community’s identity derives from our love of country.” (p. 234) The country that they so loved let them down:

“Nothing united us with the core fabric of American society. We felt trapped in two seemingly unwinnable wars, in which a disproportionate share of the fighters came from our neighborhood, and in an economy that failed to deliver the most basic promise of the American Dream–a steady wage.” (p.. 273,4)

The master narrative associated with love of nation and with the American Dream no longer seems viable, and no other story has come along to take its place. Vance’s book has been seen by many as providing insight into the Trump voter. If this is so, perhaps it would be fair to see the Trump voter as someone desperate to reclaim a master narrative by which to live his or her life. Success at this project won’t be accomplished by deporting immigrants, repealing Obamacare, or enacting protectionist legislation. Ultimately it’s about restoring honor and making it possible for those who were disillusioned to have heroes again. It’s about lower class working whites being able to stitch together lives they are proud of.

I recently began a series of posts reflecting on David Foster Wallace’s Infinite Jest. As I noted in the first post, I’m particularly interested in Wallace’s perspective on the difficulty modern-day Americans have in living meaningful and genuine lives. The first post looked at the tendency of many of IJ‘s characters to be driven by powerful desires that can’t be adequately satisfied. This post is about another feature common to many of the characters, namely that they live inauthentic lives. One of the few characters who is open and authentic, Mario Incandenza, notices how difficult it is for others at the Enfield Tennis Academy (one of the two main settings in the novel) to be real with each other:

“The older Mario gets, the more confused he gets about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that’s really real uncomfortable and they get embarrassed. It’s like there’s some rule that real stuff can only get mentioned if everybody rolls their eyes or laughs in a way that isn’t happy.” (p. 592)

Mario, who is developmentally disabled, disfigured, and quite unsophisticated, experiences life richly. His honesty and straightforwardness contrasts dramatically with his brothers. [I should note that some of what I write here could be a spoiler for those who are reading IJ and prefer not to know what happens.] Orin, the oldest, devotes most of his efforts to seducing women. He has developed a wide variety of facades that he thinks the “Subject” of his efforts will find convincing. He’s successful at getting women into bed, but, since he hasn’t been honest or vulnerable with them, there’s no prospect of intimacy. Thus, the aftereffects are disappointing at best:

“Rarely a feeling of outright unalloyed sadness as such, afterward–just an abrupt loss of hope. Plus there is the contempt he belies so well with gentleness and caring during the post-coital period of small sounds and adjustments.” p. 596

Mario’s younger brother, Hal, one of E.T.A.’s top tennis players, is highly intelligent and is literally a walking encyclopedia, having read and memorized the Oxford English Dictionary. Yet his inner self is impoverished:

“Hal himself hasn’t had a bona fide intensity-of-interior-life-type emotion since he was tiny; he finds terms like joie and value to be like so many variables in rarified equations, and he can manipulate them well enough to satisfy everyone but himself that he’s in there, inside his own hull, as a human being–but in fact he’s far more robotic than John Wayne [a tennis player who is mechanically efficient]…. [I]nside Hal there’s pretty much nothing at all, he knows.” (p. 694)

Hal has progressively more difficulty functioning as the novel progresses, to the point that, when he attempts to speak in what is chronologically the last scene (but is placed at the beginning of the novel), all that others can hear are shrieks. What has happened to him? The DFW Wiki reports readers have theorized that Hal is suffering the delayed effects of mold he ate as a child or had a hallucinogenic drug put on his toothbrush. I’m inclined to a more psychological interpretation: Hal is a hollow shell, someone who has avoided having an interior life for so long that has lost touch with himself. His humanity is attenuated, and his speech is correspondingly compromised.

Gately and the Wraith. From http://www.brickjest.com, a site that retells Infinite Jest in Legos.

Don Gately, a staff member at drug rehab facility Ennet House, is visited by a “wraith” who is apparently the ghost of James Incandenza, Hal’s father. The wraith describes actors in TV shows like Cheers who fill out the bar’s crowd. These characters, called “figurants,” sit at tables with each other, their lips moving but “always having utterly silent conversations.” Only the stars could speak audibly. The wraith laments that he, “when alive in the world of animate men, had seen his own personal youngest offspring, a son, the one most like him, the one most marvelous and frightening to him, becoming a figurant, toward the end.” (p. 837)  So years earlier, when he was alive, James Incandenza had already seen Hal, his youngest child, as a peripheral figure, appearing to interact like other humans but really a figurant, someone without a voice. It’s no surprise that Hal’s lack of an authentic voice eventually became evident to those around him.

Over at Ennet House, there is a corresponding lack of authenticity. Residents enter claiming that they will do whatever it takes to get better, but usually act contrary to this professed goal, all the while denying the inconsistency. For example, here’s new resident Geoffrey Day:

“Day is scanning the room for somebody else to engage and piss off so he can prove to himself he doesn’t fit in there and stay separated off isolated inside himself and maybe get them so pissed off there’s a beef and he gets bounced out, Day, and it won’t be his fault. You can almost hear his Disease chewing away inside his head, feeding.” (p. 275)

Residents regularly lie to one another or to staff. They also are quick to make excuses. They often see themselves as victims, blaming others for their substance use and terrible life choices rather than taking responsibility. In contrast, authenticity requires radical honesty, as with a speaker at one of the AA meetings who tells her story of  freebasing cocaine throughout her pregnancy, having a stillborn infant, then denying the child was dead and carrying around the rotting corpse as if it were a living baby:

“When she concludes by asking them to pray for her it almost doesn’t sound corny. Gately tries not to think. Here is no Cause or Excuse. It is simply what happened. This final speaker is truly new, ready: all defenses have been burned away.”  (p. 378)

Persons attaining such total honesty have achieved authenticity. This is where healing can start. But so few of the characters either at Ennet House or E.T.A. reach this place of vulnerability and openness, and thus they remain captive to their desires. They, like Hal, are figurants, people hollowed out by their persistent avoidance of their true natures. Their mouths may move, but nothing real comes out.

I recently finished reading Infinite Jest, David Foster Wallace’s mammoth novel about the near future. It took me nearly four months, and would have taken longer if I had not had extra time on my hands as I recovered from surgery. Reading the middle third of the book was like wandering through a wilderness; I kept going out of sheer determination, but it seemed like I was getting nowhere. There’s some satisfaction at having persevered to the end, but mainly there’s relief.

One of the reasons I initially decided to read the book was that I had seen the DFW interview movie The End of the Tour (2015) when it was first released, and that movie (which I discussed here) had made me curious about DFW’s analysis of the struggles those of us living in modern (or postmodern) USA have with living meaningful and genuine lives. As I read IJ, I paid attention to anything that shed light on this issue. There is of course much more to the novel than this, and I don’t want to suggest that DFW wrote primarily to offer advice about how to live with American entertainment, excess, and irony. I do want to focus on that issue in giving my thoughts about the book, though.

Just a couple of caveats before I begin. I have no particular expertise at literary analysis and only limited knowledge of DFW’s life and works, so readers are likely to find more astute information about IJ elsewhere. I’m merely sharing some of the thoughts the novel prompted in me. Also, I haven’t taken especial care to avoid spoilers, so if you’re reading IJ and don’t want to know what happens, it may be best to wait until you’re ready for such information before you read what I have to say.

To start, then, this post will focus on one feature that stood out as I read, namely that IJ portrays a world in which human desire is prevalent and problematic. Pretty much everyone is pursuing something they yearn for, usually something they hope will make them whole, or at least better. These desires aren’t a sufficient guide for life, though. In fact, they are likely to make life worse. In one of the two main settings for the novel, the Enfield Tennis Academy, the pre-adolescent and adolescent students all begin with a desire to make “The Show,” the professional tennis circuit. Not reaching this goal is problematic, but achieving it is even more fraught with danger:

“It’s possible that the only jr. tennis players who can win their way to the top and stay there without going bats are the ones who are already bats, or else who seem to be just grim machines….” (p. 437-8)

Thus Schtitt, the head coach of the academy, is as interested in helping his charges avoid the perils of success as he is in helping them succeed. As one of the staff explains,

“The point here for the best kids is to inculcate their sense that it’s never about being seen. It’s never. If they can get that inculcated, the Show won’t fuck them up, Schtitt thinks.” (p. 680)

In the other main setting, Ennet House–a halfway house for recovering drug addicts–the residents had desired what they thought drugs could provide, be that pleasure or escape or peace, but eventually they were always disappointed. More than this, they became trapped. For example, one of the residents, Joelle van Dyne, attempted to kill herself by overdose just because she had been imprisoned by her addiction. Here’s where she found herself:

“It is the cage that has entered her somehow. The ingenuity of the whole thing is beyond her. The Fun has long since dropped off the Too Much. She’s lost the ability to lie to herself about being able to quit, or even about enjoying it, still. It no longer delimits and fills the hole. It no longer delimits the hole.” (p. 222)

Desire is dangerous; it’s likely to become our master. DFW sounds almost as pessimistic as philosopher Arthur Schopenhauer here, sharing with him the idea that what motivates human beings is primitive, illogical desires that can never be satisfied. Many of the characters in the book are caged in some way; typically this is the result of having pursued desires that seemed to offer bliss but end up causing harm.

Schopenhauer thought all we could do to mitigate the force of desire was to lead very constricted lives; fortunately, Wallace is more hopeful. I’ll discuss where he finds hope in a later post; let me close here by noting that for him at least one path to release could be found in addiction recovery organizations such as AA or NA. That this approach works is a surprise even for those in recovery. At one point, Don Gately, a staff member at Ennet House, reflects:

“Substances start out being so magically great, so much the interior jigsaw’s missing piece, that at the start you just know, deep in your gut, that they’ll never let you down; you just know it. But they do. And then this goofy, slapdash anarchic system of low-rent gatherings and corny slogans and saccharin grins and hideous coffee is so lame you just know there’s no way it could ever possibly work except for the utterest morons…and then Gately seems to find out AA turns out to be the very loyal friend he thought he’s had and then lost, when you Came In.”  (p. 350)

We all could use a little help; the trick is to figure out what will genuinely provide assistance and what promises to do so but ends up harming us instead.


I wrote recently about my recent hospitalization for complications following prostate surgery. I mentioned the other patient in my room, but I didn’t say anything about our interactions. I think that’s a story worth telling.

I’ll call my roommate Dwayne. He is a 55-year-old who was transferred in for treatment of pneumonia in the wee hours of Sunday morning, a few hours after I was admitted. His wife stayed with him for several hours, but then left, and no one came to visit him during the next couple days that we shared the room. The room was “semi-private,” meaning  that there was very little privacy in evidence, so I learned a fair amount about him. At every shift change, the departing nurse came in with the arriving nurse to give the next shift an update on each patient–their diagnoses, reason for admission, and treatment plan. Usually the report is given in the patient’s room, so he overheard my report again and again, and I overheard his.

Dwayne’s pneumonia may have been his immediate problem, but it was by no means his only medical condition. He had diabetes, liver disease, and kidney disease. Wow! My problems were minor in comparison. I heard the diagnosis “end stage renal disease” repeated over and over. I had had a scare when first admitted regarding my kidneys, but by Monday morning I had been assured they were fine. He would never receive that assurance.

I felt sorry for Dwayne, but was also rather annoyed by him. He watched TV constantly, and I had little appreciation for his tastes–Wrestlemania, shoot-em-up action shows, lots of drooling over customized cars and trucks. The first night he talked on the phone at midnight, while I was trying to sleep, then watched TV for another couple hours, not bothering to keep the sound down. His phone then started ringing at 6 the next morning. There was a curtain separating us, but he certainly knew I was there and presumably could infer I would appreciate some quiet.

I probably should have asked him to turn down the sound, but I was in quite a bit of pain initially and thought that it, not he, was the main factor keeping me awake. Lying in bed that night, I started wondering about him, and my thoughts weren’t very charitable. What had been his role in causing all his medical problems? Lifestyle choices do affect our health, after all. He didn’t seem to be trying to get up and walk around despite the nurse’s statement that it would help with his pneumonia. Was that behavior typical for him; had he been neglecting his health for years?

I was prepared to ask him to turn his TV down the next night, but didn’t need to. I had a medical procedure late that night, and wasn’t ready to go to bed myself until near 2 the next morning. He had spent the previous afternoon at kidney dialysis. I started thinking about what his life must be like. How did it affect someone to have their blood cleaned by a machine every few days? I had overheard that he wasn’t able to work. Did he miss that? Where was he spiritually? Did he turn to God when things got difficult?

Tuesday morning, my doctor’s PA mentioned that she would come by that afternoon to discuss discharging me. I had only spoken briefly to Dwayne in the previous couple days. I had been too preoccupied with my own troubles to want to converse with him. Still, while waiting that afternoon for the PA’s visit, I started wondering whether I had been too uncommunicative. Jesus told his followers to let their light shine. Here was someone whose life seemed full of darkness, and I couldn’t think of anything I had said or did that he could have interpreted as light.

Finally, late in the afternoon, I realized that I would regret it if I didn’t at least try to have more of a conversation with him. His TV show was just ending, so I made a comment about it, then asked him about the dialysis. He was like a damned up river suddenly released, gushing forth the story of his last few years. A doctor had prescribed too much medication for his diabetes, and he had felt worse and worse. After about a year like this, he was admitted to the hospital; doctors were shocked with the meds he was on. His diabetes could have been managed with minimal medication, but the extra medication had irreparably damaged his kidneys. He had talked to a lawyer, but a malpractice case probably wouldn’t prevail in court. He wasn’t able to work because of dialysis three days a week. He tried to find part time work the other two days, but no one would hire him when they learned of his condition. His wife had to work so they could keep medical insurance. He had “lots of toys” at home, but didn’t get much satisfaction anymore from going out riding his motorcycle, ATV, and the like. His doctors said he was a poor candidate for a kidney transplant because of his other medical problems. He got down at times and thought of giving up. He wouldn’t do anything to himself but knew that he could stop dialysis and soon be dead. He had a granddaughter, and thinking of her helped him keep going

I asked whether he had a church family; he didn’t, but sometimes went to his daughter’s church. I asked if I could pray with him, and he readily agreed. After we prayed, I gave him my phone number and encouraged him to call me if he needed to talk.

About then, the PA came in, saying she would have been in earlier to discharge me but she had a rough afternoon. I didn’t give her my explanation for why she was delayed. God had been prompting me to lift the bushel of self-preoccupation off my head and shine into the darkness of that hospital room. Knowing how slow I am to realize that the Spirit is urging me to do something, He made sure He gave me plenty time to hear and respond. I don’t know if Dwayne will ever call, or if he has thought since then about our talk. At the time, though, we seemed to connect well. Hopefully, I won’t be so slow to reach out to the next Dwayne that crosses my path.






On his blog The Quest for the Good Life, Andy Tix wrote a post titled “Confessions of a Trump Skeptic.” He admitted to having been overly preoccupied with politics over the past six months and to having despaired over the results of the election in the U.S. I can relate; in fact, I wrote a similar post in November. What struck me most about Andy’s post, though, was his account of the Introduction to Psychology class he taught the day after the election was held:

” I was expecting people to be confused and fearful like me, but what I’ll most remember were some students ‘high-fiving’ in celebration.

“The topic of the day just so happened to be the social psychology of prejudice, and so I began the class hesitantly asking my students to comment how their reading connected with their experience of the election. A young woman cautiously raised her hand, and remarked that ‘the election has caused me to shut down in fear.’ I asked why, again assuming she would be like me. I’ll never forget her response: she said it had felt impossible to tell anyone how she had voted for our new President-elect because of worry that they would regard her as a bigot.”

Andy quickly realized that he had made assumptions about those who had voted differently from him that in many cases were inaccurate. In other words, he had stereotyped, thinking of Trump supporters as all alike. He had judged them as “uncaring, ignorant, unenlightened fools.” Perhaps some are. But for every white supremacist or Neo-Nazi who voted for the Republican ticket there were dozens who were more concerned with issues such as the decline of the middle class, the growth of government regulation, or the character of the Democratic nominee. Among them were both of my siblings and my mother.

Andy includes in his post a response he gave on Facebook to a friend who was struggling with issues of faith and politics. He wrote the following:

“Part of the lesson here for me is to be humble enough to really try to understand the appeal of a man like Trump to basically good people like many of my family members and friends who voted for him. I feel like I need to do a better job of listening to people different from me–particularly those with different ways of thinking about issues such as these.”

There’s an irony in our not listening well to those different from us. Logically, we are least likely to be able to correctly predict the thought patterns of those who are most different from us. These, then, would be the people we would need to listen to most carefully in order to get any sort of understanding of how they reason about issues. In contrast, those who express opinions much like our own on a wide variety of issues probably think about the world much as we do, so we don’t need to listen as carefully or probe as deeply in order to understand their reasoning processes. Why then, do we do the opposite of what makes sense– why do we listen only briefly and superficially to those who differ from us, but carefully to those who share our opinions? And why then are we so sure we understand those who are different from us when we haven’t given them much of a hearing?

Perhaps part of the reason we tend not to listen to those who are different from us is the outgroup homogeneity effect–the tendency to view all members of some group of which we aren’t members as alike. In contrast, we see the members of our own group as more varied. I’m part of the ‘group’ of Clinton voters, but offhand can think of at least a dozen people I know who are members of what is for me the ‘outgroup:’ Trump voters. They all are white, but other than this one common feature they vary tremendously–in demographic characteristics such as age and gender, but also in their degree of enthusiasm for their candidate and their reasons for voting as they did. I’ve talked with a few of them in depth about the election, and it’s evident that the differences among them outweigh the commonalities.

Andy mentioned the need for humility. Besides empathy, that’s probably the quality most lacking as we look across the political divide. The psalmist writes about taking a stance of humility before God:

O Lord, my heart is not lifted up,
my eyes are not raised too high;
I do not occupy myself with things
too great and too marvelous for me.
But I have calmed and quieted my soul,
like a weaned child with its mother….” (From Psalm 131, NRSV)

I wonder whether psalmist’s aversion to occupying his thoughts “with things too great and marvelous for me” pertains not only to the proper way to approach God but also the proper way to think about others. My imagination can never encompass the totality of their feelings, beliefs, and motives. It’s only when in humility I give up my conviction that I know what they are thinking that I can truly hear what they have to say. That’s something I have to remind myself of again and again.

Image from democracynow.org

Image from democracynow.org

About a week after the recent U.S. election, I wrote a post regarding the ways I had not followed the path of the pilgrim during the preceding months. The pilgrim’s path is characterized by kindness, clearsightedness, humility, faith in God’s care, and a “hermeneutic of generosity” (Paul Farmer’s phrase for interpretations that give others the benefit of the doubt). Writing about my shortcomings in this regard has helped me subsequently be less preoccupied with current political machinations and more focused on God’s love for all that he has made. It’s helped moderate my fear and anger. What’s left, though, is still sorrow–sorrow mainly for the “losers”–those who will experience negative consequences as a result of the election–but also sorrow for many of the “winners,” particularly those whose votes were based on a narrow self-interest that had in it no room for concern for the well-being of the immigrant, the refugee, or the foreigner. Some of these winners may be disappointed if the new political order doesn’t deliver on some of its promises to them, but I’m mostly concerned that some might get precisely what they want to their detriment. Benefiting at the expense of people less fortunate than you may please you, but it’s not good for your soul.

a-testament-of-devotionI’ve been particularly struck by something I read recently in A Testament of Devotion by Quaker writer and scholar Thomas R. Kelly. The book was copyrighted in 1941, but the chapter from which the quote came was apparently a lecture delivered to the yearly meeting of Quakers held in March, 1939. Kelly’s topic was “Holy Obedience,” which he introduced with a quote by Meister Eckhart:

“There are plenty to follow our Lord halfway, but not the other half. They will give up possessions, friends, and honors, but it touches them too closely to disown themselves.”

Kelly encourages his listeners to follow Jesus all the way. He tells them some benefits will result, among them holiness, humility, simplicity, and suffering. Yes, he considers suffering a benefit. Some will suffer because of oppression, some because of hardship, and, Kelly seems to think, some will suffer because of the suffering of others. Of course there is always someone somewhere who is suffering. I’ve never become calloused to that suffering, though. If anything, it bothers me now more than ever.

Kelly alludes to a conversation he had with a Hindu monk, who told him, “Nothing matters; everything matters.” I think I’ve been able to attend less to politics the last few months because of one side of this paradox–nothing matters. Yet I feel sorrow because of the other side–everything matters. For Kelly, this included “the blighted souls of Europe and China and the Near East and India.” When he wrote early in 1939 Japan had already invaded China and Europe was arming itself in preparation for the war that started later that year. Kelly spelled out the implications for those who sought to follow Jesus the other half of the way:

“In my deepest heart I know that some of us need to face our comfortable, self-oriented lives all over again. The times are too tragic, God’s sorrow is too great, man’s night is too dark, the Cross is too glorious for us to live as we have lived, in anything short of holy obedience. It may or may not mean a change in geography, in profession, in wealth, in earthly security. It does mean this: Some of us will need to enter upon a vow of renunciation and of dedication to the ‘Eternal Internal’ which is as complete and as irrevocable as was the vow of the monk in the Middle Ages.”

Our time is perhaps less tragic than his. Or perhaps not–“the blighted souls” of Syria are being devastated by war; suffering humanity is turned away at many borders; nations exchange threats; nuclear weapons stand at the ready; seas rise from ice-melt as the world warms. I’m less inclined than I used to be to compare the miseries one time to those of another. All times are too tragic; God’s sorrow is always too great; man’s night is always too dark. And there will always be those who are untroubled by such realities and those who respond with the renunciation and dedication that Kelly called for.  The more thought I give to the pilgrim path, the less I’m able to ignore what transpires in the world.